Skip to main content
AIGC FILM DIRECTOR
Wang Zhiyuan in right-facing profile wearing a silver jacket, with teal and warm orange light trailing left from a curved luminous visor

WANG ZHIYUAN

Wang ZhiyuanAIGC Film Creator

Expanding the edges of imagination through technology.Telling human stories through the language of the lens.Continuing to explore more crafted forms of narrative imagery.

SELECTED WORK

SELECTED WORKS

  1. Project One cover artwork showing the Mercer Group headquarters
  2. Environment concept for the Hale Group's tall corporate lobby
  3. Nighttime environment concept of a highway exit and ramp
  4. Urban street environment with surrounding storefronts and buildings
  5. Project Two cover contact sheet showing nine views of White Lion Castle
  6. Exterior environment concept of White Lion Castle among snowy mountains
  7. Panoramic environment concept of the Snake Clan territory and architecture
  8. Rose-garden environment with flower arches and walking paths

AI VISUAL DEVELOPMENT

  1. Character design of Yara in her everyday professional outfit
  2. Character design of Yara's confident late-story appearance
  3. Multi-angle prop study of a red Ferrari sports car
  4. Shot plan showing the chairman's position relative to the other characters
  5. Character artwork of Valerius dressed for the wedding
  6. Costume design for Chloe's second soft nightwear look
  7. Wedding carriage design decorated with White Lion emblems
  8. Grand interior environment concept for the White Lion Castle hall

About me

EXPERIENCE / CAREER

Moving from brand creative and event planning into AIGC film production, extending experience in content planning, visual coordination, and project delivery across the complete workflow of scripts, storyboards, visual assets, AI video, post-production, and final films.

01 | AIGC FILM PRODUCTION

2026 | End-to-end AIGC film production

Jiaxing Jiuzhou Culture Media Co., Ltd.

  • Led the full AI drama pipeline, from script adaptation, directing and storyboards through visual asset development, AI video generation, editing, and final delivery.
  • Established a workflow spanning master storyboards, narrative breakdown, shot refinement, video generation, human selection, and final editing.
  • Built character, costume, environment, and prop systems while controlling narrative clarity, visual consistency, and edit rhythm.

Ashes of Love

  • Completed localization, English translation review, and visual-system development for a 20-episode English-language drama.
  • Independently produced the first 10 episodes from script to final film and reviewed the visual style and edit rhythm of the remaining 10.

Reborn Sister Took My Beastman Mates

  • Completed full-series content organization and visual-asset breakdown.
  • Built a visual asset system for all characters and wardrobe states, core environments, key props, and crowd roles; visual asset development was completed and delivered.
02 | BRAND CREATIVE & EVENT PLANNING

2020—2025 | Brand creative and event planning

Hangzhou Fengyu Culture Communication | Planning Lead

  • Led client communication, project positioning, integrated event planning, visual direction, and delivery coordination.
  • Served clients including Huafu Securities, Hyperchain Technology, and Dajia Insurance, planning and delivering 10+ large-scale projects.

Hangzhou Heyi Lingsi Culture Communication | Event Planner

  • Led and substantially contributed to creative planning for 15+ major projects and wrote more than 50 project copy decks.
  • Supported preparation, visual review, supplier coordination, and on-site delivery across 20+ large-scale events.

Hangzhou Mingdian Culture Communication | Event Planner

  • Contributed to product launches, dealer conferences, corporate annual meetings, and campus events.
  • Developed themes, event flows, communication content, and on-site execution plans.

Earlier brand copywriting and content-planning roles built experience in distilling brand information, structuring website content, and writing communications copy.

015 yrs

Brand creative and event-planning experience

0230+

Large-scale event projects delivered

0320 eps

AI drama project delivered

04100+

Core and standalone character assets developed

05End to end

Script, storyboard, assets, video, post-production

He Thought I Would Always Wait project poster featuring Yara reclaiming control of her career and life
Urban revenge drama

He Thought I Would Always Wait

  • 20 episodes fully produced
  • End-to-end delivery

After discovering Derek's betrayal, Yara walks away and begins reclaiming the career, wealth, and power she once placed in his hands. As her true identity is revealed, she moves from waiting to be loved to taking back control of her dignity and life.

IN THIS PROJECT

  • Selected finished-film preview
  • Character, environment, and prop visual assets
  • Director's storyboards and shot planning
  • AI video generation and post-production integration
  • Asset, planning, and final-shot comparisons
VIEW PROJECT
Reborn Sister Took My Beastman Mates project poster featuring Vivian and the White Lion family's divided destinies
Medieval fantasy rebirth revenge drama

Reborn Sister Took My Beastman Mates

  • Visual asset development completed and delivered

Reborn on the day their marriages are chosen, Chloe deliberately exchanges the sisters' destinies. Drawing on the secrets and experience of her former life, Vivian navigates betrayal and a struggle for power within the White Lion family until she becomes the true ruler of its lands and fortune.

IN THIS PROJECT

  • Full-series character and relationship system
  • Character costumes and stage-specific looks
  • Core environments and world-building settings
  • Key props, crowd roles, and creature assets
  • Full-series visual asset organization and delivery
VIEW PROJECT

Production process

  1. Script and visual strategy

    Clarify narrative goals, character relationships, and emotional rhythm to define the film's visual language.

  2. Characters, environments and props

    Build a unified visual asset system for photoreal characters, wardrobe, environments, and key props.

  3. Storyboards, cameras and shot generation

    Translate the script into executable camera plans and storyboards, then generate moving-image shots with AI.

  4. Post-production and final delivery

    Select, edit, and unify generated shots to complete a continuous narrative and deliver the final film.

CONTACT ME

LET'S CREATESOMETHINGCRAZY.

Through sustained and complete creative practice, I hope to explore a cinematic language for the AI era.

EMAIL
965307795@qq.com
PHONE
18668054508
WECHAT